Psalm 116: 12, 16b-17 [Latin]12 What shall I render unto the Lord for all his benefits toward me? 

13 I will take the cup of salvation, and call upon the name of the Lord.

16 Lord, truly I am thy servant; I am thy servant, and the son of thine handmaid: thou hast loosed my bonds.

17 I will offer to thee the sacrifice of thanksgiving, and will call upon the name of the Lord.

Quid retribuam Domino [What shall I render to the Lord?] - detail from sheet music in video.
Quid retribuam Domino [What shall I render to the Lord?] – detail from sheet music in video.

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“Quid retribuam Domino,” sacred motet for 2 voices and organ, composed by Guy de Lioncourt (1885-1961).

Lioncourt, Guy de (1886 - 1964) Quid Retribuam Domino (motet pour 2 voix égales et orgue).

Free sheet music at Choral Public Domain Library

Ezekiel 33: 11a [Latin] – Say unto them, As I live, says the Lord God, I have no pleasure in the death of the wicked; but that the wicked turn from his way and live: turn ye, turn ye from your evil ways; for why will ye die, O house of Israel?

Original Latin:

Vivo ego, dicit Dominus, nolo mortem peccatoris, sed ut magis convertatur et vivat.

The Prophet Ezekiel - painting by an anonymous artist, c. 1610-1615 (Image via Wikimedia Commons)
The Prophet Ezekiel – painting by an anonymous artist, c. 1610-1615 (Image via Wikimedia Commons)

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“Vivo ego dicit Dominus,” a sacred 4-voice (SATB) motet composed by Alonso Lobo (1555-1617), first appeared in Liber primus missarum (1602).

Alonso Lobo: Vivo ego dicit Dominus - Musica Ficta

Performed here by Musica Ficta

Free sheet music at Choral Public Domain Library

John 1: 19-23  [And] This is the record of John, when the Jews sent priests and Levites from Jerusalem to ask him, Who art thou?

And he confessed and denied not, and said plainly, I am not the Christ.

And they asked him, What art thou then? Art thou Elias? And he said, I am not. Art thou the prophet? And he answered, No.

Then said they unto him, What art thou? that we may give an answer unto them that sent us. What sayest thou of thyself?

And he said, I am the voice of him that crieth in the wilderness, Make straight the way of the Lord.

Saint John the Baptist, painting by Bernardo Zenale (d. 1526) kept at the Grenoble museum. Translation of
Saint John the Baptist, painting by Bernardo Zenale (d. 1526) kept at the Grenoble museum. Translation of “Ego vox clamantis” is “I am the voice of one crying…”

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“This is the record of John,” a 5 voice sacred verse anthem composed by Orlando Gibbons (1583-1625), from the Peterhouse Partbooks: Latter Caroline Set (John Cosin)

This is the record of John - Orlando Gibbons (1583-1625) - Kampen Boys Choir (NL)

Sung by the Kampen Boys Choir (NL)

Free sheet music at Choral Public Domain Library

John 1: 1–2, 4–5In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning. In him was life, and that life was the light of all. The light shines in the darkness, but the darkness has not understood it.

The beginning of the Gospel of St John in the
The beginning of the Gospel of St John in the “Coronation Gospels” (Cotton MS. Tiberius A. II, f. 162r). From British Library via Wikimedia Commons.

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“In the Beginning Was the Word” Op. 161, for SATB and organ, composed by Carson Cooman (b. 1982) in 1999 and revised in 2003.

In the Beginning Was the Word, Op. 161

Performed by The Choir of Royal Holloway

Sheet music available at SheetMusicPlus

Song of Solomon 4:7,11; 2:11-13; 4:8 [Latin] – You are altogether beautiful, my love; there is no flaw in you.
Your lips distil nectar; honey and milk are under your tongue; the scent of your perfumes is beyond all spices.
For now the winter is past, the rain is over and gone.
The flowers have appeared; the flowering vines have given forth their fragrance, and the voice of the turtle-dove is heard in our land.
Arise, my love, my fair one; come from Lebanon, Come, you will be crowned.

Original Latin:

Tota pulchra es, amica mea, et macula non est in te;
favus distillans labia tua; mel et lac sub lingua tua;
odor unguentorum tuorum super omnia aromata:
jam enim hiems transiit, imber abiit et recessit.
Flores apparuerunt;
vineae florentes odorem dederunt,
et vox turturis audita est in terra nostra:
surge, propera, amica mea:
veni de Libano, veni, coronaberis.

Illustration of King Solomon
Illustration of King Solomon (via Wikimedia Commons)

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“Tota Pulchra Es” à4, sacred motet for four voices, first published in Dodecachordon (Henricus Glareanus) (1547).

Tota pulchra es (H. Isaac) Score Animation

Performed by The Tallis Scholars

Free sheet music available at Choral Public Domain Library

Philipians 2: 7-8 But [he] made himself of no reputation, and took upon him the form of a servant, and was made in the likeness of men: And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross.

The 17th-century painting Christ Crucified by Diego Velázquez,
The 17th-century painting Christ Crucified by Diego Velázquez

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“He made Himself of no reputation,” recitative from The Crucifixion (1887), an oratorio for SATB choir and organ composed by Sir John Stainer (1840-1901)

7. He made himself of no reputation - The Crucifixion - Stainer

Performed by The Choir of Clare College Cambridge

Free sheet music available at Choral Public Domain Library

Luke 14: 16-17 [Latin] Jesus said, A certain man prepared a great feast, and he sent his servant at the time of the feast to tell the guests to come, for all things were prepared.

Come, eat my bread, and drink the wine which I have mixed for you, for all things were prepared. [Glory be to the Father…]

Original Latin:

Homo quidam fecit coenam magnam et vocavit multos et misit servum suum hora coenae dicere invitatis ut venirent, quia omnia parata sunt. Alleluja.

Invitation to the Great Banquet - by Phillip Medhurst (Image via Wikimedia Commons)
Invitation to the Great Banquet – by Phillip Medhurst (Image via Wikimedia Commons)

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“Homo quidam fecit coenam,” sacred motet by Thomas Tallis (1505-1585), first published in The Baldwin Partbooks (1575).

Homo quidam fecit coenam

Performed by Taverner Choir

Free sheet music at Choral Public Domain Library

Jonah 2: 2-3, 5 [Latin] – I cried out of my affliction to the Lord, and He heard me: I cried out of the belly of hell, and thou hast heard my voice. And thou hast cast me forth into the deep, in the heart of the sea, and a flood hath compassed me. The waters compassed me about even to the soul: the deep hath closed me round about, the sea hath covered my head.

Original in Latin:

Clamavi de tribulatione mea ad Dominum et exaudivit me; de ventre inferi clamavi et exaudisti vocem meam. Et proiecisti me in profundum in corde maris et flumen circumdedit me. Circumdederunt me aquae usque ad animam meam: abyssus vallavit me, pelagus operuit caput meum.

Jonah and the whale - painting by Paul Bril (circa 1553/1554–1626) - Image via Wikimedia Commons
Jonah and the whale – painting by Paul Bril (circa 1553/1554–1626) – Image via Wikimedia Commons

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“Clamavi de tribulatione mea,” sacred motet for 6 voices, composed by Philippe de Monte (1521-1603) and first published in Sacrarum cantionum cum sex vocibus … liber secundus (1587).

Philippe de Monte: Clamavi de tribulatione mea - Currende

Performed by Currende

Free sheet music at Choral Public Domain Library

Psalm 138: 7 [Latin] – If I walk in the midst of tribulation, You will sustain me, Lord; and against the wrath of my enemies, You lift Your hand, and I am saved by Your right hand.

Original, in Latin:

Si ambulavero in medio tribulationis, vivificabis me, Domine: et super iram inimicorum meorum extendes manum tuam, et salvum me fecit dextera tua.

The hand (of God) as an isolated motif. Fresco from Sant Climent de Taüll, Catalonia, Spain.
The hand (of God) as an isolated motif. Fresco from Sant Climent de Taüll, Catalonia, Spain. (Image via Wikipedia)

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“Si ambulavero,” Offertory for Pentecost XIX, composed by Giovanni Pierluigi da Palestrina (1525-1594), and first published in Offertoria totius anni (1593)

Palestrina: Si ambulavero - Sixteen

Performed the The Sixteen

Free sheet music available at Choral Public Domain Library

Psalm 126: 5-6 [German] They that sow in tears shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him.

Original German text:

Die mit Tränen säen, werden mit Freuden ernten. Sie gehen hin und weinen und tragen edlen Samen und kommen mit Freuden und bringen ihre Garben.

Wheat sheaves near King's Somborne
Wheat sheaves near King’s Somborne (Image via Wikimedia Commons – Creative Commons Attribution-Share Alike 2.0 Generic CC license)

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“Die mit Tränen säen werden mit Freuden ernten” [They that sow in tears shall reap in joy], SWV 378, composed by Heinrich Schütz (1585-1672), and first published in Geistliche Chormusik, Op. 11, no. 10 (1648).

Schütz: Die mit Tränen säen - Herreweghe

Performed by Collegium Vocale Gent

Free sheet music available at Choral Public Domain Library