Psalm 103: 2-4 [German] – Bless the Lord, O my soul, and forget not all his benefits: Who forgiveth all thine iniquities; who healeth all thy diseases; Who redeemeth thy life from destruction; who crowneth thee with lovingkindness and tender mercies;

Original German:

Lobe den Herren, meine Seele, und vergiß nicht, was er dir Guts getan hat. Der dir alle deine Sünde vergibet und heilet alle deine Gebrechen. Lobe den Herren, meine Seele, und vergiß nicht, was es dir Guts gethan hat. Der dein Leben vom Verderben erlöset, der dich krönet mit Gnad und Barmherzigkeit. Lobe den Herren, meine Seele, und vergiß nicht, was er dir Guts getan hat.

Christoph Spätner. Heinrich Schütz, c. 1660. (Museum für Musikinstrumente der Universität Leipzig)
Christoph Spätner. Heinrich Schütz, c. 1660. (Museum für Musikinstrumente der Universität Leipzig)

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“Lobe den Herren, meine Seele,” SWV 39, 8-voice SSAATTBB sacred motet composed by Heinrich Schutz (1585-1672), first published in Psalmen Davids, Op. 2, no. 18 (1619)

Schütz: Lobe den Herren meine Seele - Cantus Cölln

Performed by Cantus Cölln

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Psalm 126: 5-6 [German] They that sow in tears shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him.

Original German text:

Die mit Tränen säen, werden mit Freuden ernten. Sie gehen hin und weinen und tragen edlen Samen und kommen mit Freuden und bringen ihre Garben.

Wheat sheaves near King's Somborne
Wheat sheaves near King’s Somborne (Image via Wikimedia Commons – Creative Commons Attribution-Share Alike 2.0 Generic CC license)

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“Die mit Tränen säen werden mit Freuden ernten” [They that sow in tears shall reap in joy], SWV 378, composed by Heinrich Schütz (1585-1672), and first published in Geistliche Chormusik, Op. 11, no. 10 (1648).

Schütz: Die mit Tränen säen - Herreweghe

Performed by Collegium Vocale Gent

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Image from James Webb Space Telescope (infrared)
Image from James Webb Space Telescope (infrared)

Psalm 19:1-6 [German]

1 The heavens declare the glory of God; and the firmament sheweth his handywork.

Day unto day uttereth speech, and night unto night sheweth knowledge.

There is no speech nor language, where their voice is not heard.

Their line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun,

Which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race.

His going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof.

Die Himmel erzählen die Ehre Gottes, und die Feste verkündiget seiner Hände Werk. Ein Tag sagt’s dem andern, und eine Nacht tut’s kund der andern. Es ist keine Sprache noch Rede, da man nicht ihre Stimme höre. Und ihr Schall gehet aus in alle Lande, und ihre Rede an der Welt Ende. Er hat der Sonne eine Hütte in derselben gemacht; und die selbige gehet heraus wie ein Bräutigam aus seiner Kammer und freuet sich, wie ein Held zu laufen den Weg. Sie gehet auf an einem Ende des Himmels und läuft um bis wieder an das selbige Ende, und bleibt nichts vor ihrer Hitz’ verborgen.

Die Himmel erzählen die Ehre Gottes, SWV 386 (1648), from Geistliche Chormusik, Op. 11, no. 18, composed by Heinrich Schütz (1585-1672)

VOCES8: Die Himmel erzählen die Ehre Gottes by Heinrich Schütz

Performed by VOCES8

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James Tissot, The Miraculous Draught of Fishes, Brooklyn Museum
James Tissot, The Miraculous Draught of Fishes, Brooklyn Museum

Luke 5:5 [German]

And Simon answering said unto him, Master, we have toiled all the night, and have taken nothing: nevertheless at thy word I will let down the net.

Meister, wir haben die ganze Nacht gearbeitet und nichts gefangen, aber auf dein Wort will ich das Netz auswerfen.


Meister, wir haben die ganze Nacht gearbeitet (1639), from Kleine geistliche Konzerte II, Op. 9, no. 12, SWV 317, composed by Heinrich Schütz (1585-1672)

Schütz - Meister, wir haben die ganze Nacht gearbeitet | The Marian Consort

Performed by The Marian Consort

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Heinrich Schütz by Christoph Spätner, c. 1660 (Museum of Musical Instruments of Leipzig University)
Heinrich Schütz by Christoph Spätner, c. 1660 (Museum of Musical Instruments of Leipzig University)

Psalm 18:1-6 [Written and sung in German]

1 I will love thee, O Lord, my strength.

The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler, and the horn of my salvation, and my high tower.

I will call upon the Lord, who is worthy to be praised: so shall I be saved from mine enemies.

The sorrows of death compassed me, and the floods of ungodly men made me afraid.

The sorrows of hell compassed me about: the snares of death prevented me.

In my distress I called upon the Lord, and cried unto my God: he heard my voice out of his temple, and my cry came before him, even into his ears.


Herzlich lieb hab’ich dich, o Herr, SWV 348, from Symphoniae sacrae II (1647), Op. 10, by Heinrich Schütz (1585-1672).

Symphoniae sacrae II, Op. 10, SWV 341-367: VIII. Herzlich lieb hab'ich dich, o Herr, SWV 348

Performed by Cappella Augustana

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William Holman Hunt - The Finding of the Saviour in the Temple.jpg
William Holman Hunt, The Finding of the Saviour in the Temple

Luke 2:48b-49b and Psalm 84:1-2,4

48 And when they saw him, they were amazed: and his mother said unto him, Son, why hast thou thus dealt with us? behold, thy father and I have sought thee sorrowing.

49 And he said unto them, How is it that ye sought me? wist ye not that I must be about my Father’s business?

1 How amiable are thy tabernacles, O Lord of hosts!

My soul longeth, yea, even fainteth for the courts of the Lord: my heart and my flesh crieth out for the living God.

Blessed are they that dwell in thy house: they will be still praising thee. Selah.


Mein Sohn, warum hast du uns das getan, SWV 401, composed by Heinrich Schütz, first published in Symphoniae sacrae III, Op. 12, no. 4 (1650)


Performed by Musica Fiata, Kammerchor Stuttgart

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Mary of Magdala recognizing Jesus, workshop of Peter Paul Rubens
Mary of Magdala recognizing Jesus, workshop of Peter Paul Rubens

John 20:13,15-17 [German]

13 And they say unto her, Woman, why weepest thou? She saith unto them, Because they have taken away my Lord, and I know not where they have laid him.

15 Jesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away.

16 Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say, Master.

17 Jesus saith unto her, Touch me not; for I am not yet ascended to my Father: but go to my brethren, and say unto them, I ascend unto my Father, and your Father; and to my God, and your God.


Weib, was weinest du? SWV 443, composed by Heinrich Schütz (1585-1672)

Dialogo per la Pascua, SWV 443: Weib, was weinest du?

Performed by Cappella Augustana & Matteo Messori

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English: The Pharisee and the Publican (Le pha...
English: The Pharisee and the Publican (Le pharisien et le publicain) by James Tissot, 1886-94, Opaque watercolor over graphite on gray wove paper, Brooklyn Museum (Photo credit: Wikipedia)

Luke 18:10-14 [German]

10 Two men went up into the temple to pray; the one a Pharisee, and the other a publican.

11 The Pharisee stood and prayed thus with himself, God, I thank thee, that I am not as other men are, extortioners, unjust, adulterers, or even as this publican.

12 I fast twice in the week, I give tithes of all that I possess.

13 And the publican, standing afar off, would not lift up so much as his eyes unto heaven, but smote upon his breast, saying, God be merciful to me a sinner.

14 I tell you, this man went down to his house justified rather than the other: for every one that exalteth himself shall be abased; and he that humbleth himself shall be exalted.


Es gingen zweene Menschen hinauf, SWF 444, (c. 1630?), composed by Heinrich Schütz (1585-1672)

The Pharisee and the Publican (Heinrich Schütz): Salisbury Cathedral 1990 (Richard Seal)

Performed by the choir of Salisbury Cathedral, directed by Richard Seal, with David Halls (organ)

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Heinrich Schütz, c. 1650-1660 (Leipzig), by Ch...
Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner (Photo credit: Wikipedia)

Revelation 14:13

13 And I heard a voice from heaven saying unto me, Write, Blessed are the dead which die in the Lord from henceforth: Yea, saith the Spirit, that they may rest from their labours; and their works do follow them.


Selig sind die Toten, SWV 391 (1648), composed by Heinrich Schütz (1585-1672)

H Schuetz, Selig sind die Toten, SWV 391, Vox Luminis, Lionel Meunier

Performed by Vox Luminis

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MP3: Selig sind die Toten, SWV 391

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SSATTB choir/basso continuo ad libitum – Level 3. Motet no. 23 from “Geistliche Chormusik 1648”. Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. This edition: Urtext edition. Stapled. Sacred. Choral score. SWV 391. Published by Baerenreiter Verlag (BA.BA523).

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350px-schutzPsalm 100:1-5 [German]

Make a joyful noise unto the Lord, all ye lands.

Serve the Lord with gladness: come before his presence with singing.

Know ye that the Lord he is God: it is he that hath made us, and not we ourselves; we are his people, and the sheep of his pasture.

Enter into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and bless his name.

For the Lord is good; his mercy is everlasting; and his truth endureth to all generations.


Jauchzet dem Herren, SWV 36 (The Psalms of David, 1619), composed by Heinrich Schütz (1585-1672)

Jauchzet dem Herren - Heinrich SCHÜTZ (1585-1672) / Arsys Bourgogne

Performed by Arsys Bourgogne

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MP3: Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2: Jauchzet dem Herren, alle Welt, SWV 36, “Psalm 100”

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