Rachel is weeping for her children, 14th century fresco from Marko's Monastery.
Rachel is weeping for her children, 14th century fresco from Marko’s Monastery.

Matthew 2:18, citing Jeremiah 31:15

18 In Rama was there a voice heard, lamentation, and weeping, and great mourning, Rachel weeping for her children, and would not be comforted, because they are not.

15 Thus saith the Lord; A voice was heard in Ramah, lamentation, and bitter weeping; Rachel weeping for her children refused to be comforted for her children, because they were not.


Vox in Rama, from Il Secondo Libro de Motetti a Cinque Voci, 1581, composed by Giaches de Wert (1535-1596)

Giaches de Wert: Vox in Rama (Currende/Erik van Nevel)

Performed by Currende

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Choral Public Domain Library 

John Blow
John Blow (Photo credit: Wikipedia)

Isaiah 55:1; 58:1-3

Ho, every one that thirsteth, come ye to the waters, and he that hath no money; come ye, buy, and eat; yea, come, buy wine and milk without money and without price.

Cry aloud, spare not, lift up thy voice like a trumpet, and shew my people their transgression, and the house of Jacob their sins.

Yet they seek me daily, and delight to know my ways, as a nation that did righteousness, and forsook not the ordinance of their God: they ask of me the ordinances of justice; they take delight in approaching to God.

Wherefore have we fasted, say they, and thou seest not? wherefore have we afflicted our soul, and thou takest no knowledge? Behold, in the day of your fast ye find pleasure, and exact all your labours.


Cry aloud and spare not,1683 verse anthem composed by John Blow (1649-1708)

Blow: Cry Aloud and Spare Not (Verse Anthem, 1683)

Performed by The Choir of King’s College, Cambridge · Academy of St. Martin in the Fields · Sir David Willcocks

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Georg Philipp Telemann (1681-1767), coloured a...
Georg Philipp Telemann (1681-1767), coloured aquatint by Valentin Daniel Preisler after a lost painting by Louis Michael Schneider (Photo credit: Wikipedia)

Revelation 3:11,15 [German]

11 Behold, I come quickly: hold that fast which thou hast, that no man take thy crown.

15 I know thy works, that thou art neither cold nor hot: I would thou wert cold or hot.


Halt, was du hast, TWV 8:9, composed by Georg Philipp Telemann (1681-1767)

Georg Philipp Telemann - Halt, was du hast

Performed by Magdeburg Baroque Orchestra & Chamber Choir Magdeburg

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SATB/SATB choir, [basso continuo] – Level 3. Motet. Composed by Georg Philipp Telemann (1681-1767). Edited by Paul Horn. Arranged by Paul Horn. Stuttgart Urtext Edition. German title: Halt, was du hast. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death; Use during church year: End of the church year. Full score. With Language: German/English. TVWV 8:9. Duration 7 minutes. Published by Carus Verlag (CA.3911200).

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Petrucci Music Library

The Black Madonna of Tindari, sporting the inc...
The Black Madonna of Tindari, sporting the incsription NIGRA SUM SED FORMOSA. Tindari Madonna Bruna: restoration work in the 1990s found a medieval statue with later additions. Nigra sum sed formosa , meaning “I am black but beautiful” (from the Song of Songs, 1:5), is inscribed round a newer base. (Photo credit: Wikipedia)

Song of Solomon 1:4-5; 2:10b-12a

Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee.

I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.

10 My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.

11 For, lo, the winter is past, the rain is over and gone;

12 The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land;


Nigra sum (1943), composed by Pablo Casals (1876-1973)

The Georgia Boy Choir - Nigra Sum

Performed by The Georgia Boy Choir

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Published by Mark Custom Music (MK.50491-MCD).

 

Stained glass at St John the Baptist's Anglica...
Stained glass at St John the Baptist’s Anglican Church http://www.stjohnsashfield.org.au, Ashfield, New South Wales. (Photo credit: Wikipedia)

John 13:34-35

34 A new commandment I give unto you, That ye love one another; as I have loved you, that ye also love one another.

35 By this shall all men know that ye are my disciples, if ye have love one to another.


I give you a new commandment, composed by John Sheppard (1515-1558)

John Sheppard - I Give You a New Commandement

The University of New Hampshire Chamber Singers, conducted by William Kempster

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Capital from the Song of Solomon in Winchester...
Capital from the Song of Solomon in Winchester Cathedral. (Photo credit: Wikipedia)

Song of Solomon 2:10-13,16

10 My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.

11 For, lo, the winter is past, the rain is over and gone;

12 The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land;

13 The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.

16 My beloved is mine, and I am his: he feedeth among the lilies.


My beloved spake, Z.28, composed by Henry Purcell (1659-1695)


Performed by The English Concert · Trevor Pinnock · Simon Preston · Choir of Christ Church Cathedral, Oxford

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Composed by Henry Purcell (1659-1695). Edited by Edward J. Dent. Music Sales America. Baroque, Choral. 24 pages. Novello & Co Ltd. #NOV290447. Published by Novello & Co Ltd. (HL.14022476).

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Choral Public Domain Library

 

William Byrd - c.1540-1623.
William Byrd – c.1540-1623. (Photo credit: Wikipedia)

Jeremiah 31:15-17 [Latin]

15 Thus saith the Lord; A voice was heard in Ramah, lamentation, and bitter weeping; Rahel weeping for her children refused to be comforted for her children, because they were not.

16 Thus saith the Lord; Refrain thy voice from weeping, and thine eyes from tears: for thy work shall be rewarded, saith the Lord; and they shall come again from the land of the enemy.

17 And there is hope in thine end, saith the Lord, that thy children shall come again to their own border.


Haec dicit Dominus from Cantiones sacrae II (1591), nos. 13-14, composed by William Byrd (1540-1623)

Haec dicit Dominus, by William Byrd (1591)

Performed by Quire Cleveland, dir. Ross W. Duffin

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English: Samuel Sebastian Wesley
English: Samuel Sebastian Wesley (Photo credit: Wikipedia)

Isaiah 25:1,25:4a, Psalm 33:21-22,Isaiah 25:8, 1 Corinthians 15:53b, 1 Corinthians 15:34a, 1 Corinthans 15:52a, Isaiah 25:9

O Lord, thou art my God; I will exalt thee, I will praise thy name; for thou hast done wonderful things; thy counsels of old are faithfulness and truth.

For thou hast been a strength to the poor, a strength to the needy in his distress, a refuge from the storm, a shadow from the heat, when the blast of the terrible ones is as a storm against the wall.

21 For our heart shall rejoice in him, because we have trusted in his holy name.

22 Let thy mercy, O Lord, be upon us, according as we hope in thee.

He will swallow up death in victory; and the Lord God will wipe away tears from off all faces; and the rebuke of his people shall he take away from off all the earth: for the Lord hath spoken it.

53 For this corruptible must put on incorruption, and this mortal must put on immortality.

34 Awake to righteousness, and sin not; for some have not the knowledge of God: I speak this to your shame.

52 In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.

And it shall be said in that day, Lo, this is our God; we have waited for him, and he will save us: this is the Lord; we have waited for him, we will be glad and rejoice in his salvation.


O Lord, Thou art my God (first performed in 1839) composed by Samuel Sebastian Wesley (1810-1876)

O Lord, Thou Art My God

Performed by The Choir of Chichester Cathedral / Thurlow

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Heinrich Schütz, c. 1650-1660 (Leipzig), by Ch...
Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner (Photo credit: Wikipedia)

Revelation 14:13

13 And I heard a voice from heaven saying unto me, Write, Blessed are the dead which die in the Lord from henceforth: Yea, saith the Spirit, that they may rest from their labours; and their works do follow them.


Selig sind die Toten, SWV 391 (1648), composed by Heinrich Schütz (1585-1672)

H Schuetz, Selig sind die Toten, SWV 391, Vox Luminis, Lionel Meunier

Performed by Vox Luminis

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SSATTB choir/basso continuo ad libitum – Level 3. Motet no. 23 from “Geistliche Chormusik 1648”. Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. This edition: Urtext edition. Stapled. Sacred. Choral score. SWV 391. Published by Baerenreiter Verlag (BA.BA523).

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