Giovanni Pierluigi da Palestrina

John 20:13-15 [Latin]

13 And they say unto her, Woman, why weepest thou? She saith unto them, Because they have taken away my Lord, and I know not where they have laid him.

14 And when she had thus said, she turned herself back, and saw Jesus standing, and knew not that it was Jesus.

15 Jesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away.

Alleluia, tulerunt Dominum (published 1569, Liber primus motettorum, 5–7vv, Rome), composed by Giovanni Pierluigi da Palestrina (1525-1594)

Alleluia tulerunt Dominum - G. P. da Palestrina - Cappella Musicale della Cattedrale di Fiesole

Performed by Choir of the Cathedral of Fiesole
Director, Michele Manganelli

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Matthew 27:45-47; John 19:30; Luke 23:46

45 Now from the sixth hour there was darkness over all the land unto the ninth hour.

46 And about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou forsaken me?

47 Some of them that stood there, when they heard that, said, This man calleth for Elias.

30 When Jesus therefore had received the vinegar, he said, It is finished: and he bowed his head, and gave up the ghost.

46 And when Jesus had cried with a loud voice, he said, Father, into thy hands I commend my spirit: and having said thus, he gave up the ghost.

Tenebrae factae sunt (1772) by Johann Michael Haydn (1737-1806)

Michael Haydn: Tenebrae factae sunt

Performed by Mandák Kórus

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Tenebrae factae sunt

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Tenebrae factae sunt (Darkness was over the earth) composed by Michael Haydn (1737-1806). Edited by Thomas. For SATB choir, Organ/Piano ad lib. Choral. Octavo. Text Language: English/Latin. Published by Edition Peters 

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Entry of Christ into Jerusalem (1320) by Pietro Lorenzetti: entering the city on a donkey symbolizes arrival in peace rather than as a war-waging king arriving on a horse

Matthew 21:9b [German]

And the multitudes that went before, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest.

Hosianna dem Sohne Davids, composed by Bartholomeus Gesius (1555/1562-1613)

King's College Cambridge 2014 Easter #5 Hosianna Dem Sohne Davids Gesius

Performed by King’s College Choir

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Ash Wednesday to Easter for Choirs edited by Lionel Dakers; John Scott. For Mixed Choir. This edition: paperback. Mixed Voices. …for Choirs Collections. Sacred, Choral Collection. Level B-C (easy – moderately difficult). Choral Collection. 240 pages. Published by Oxford University Press (OU.9780193531116).

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Franz_Schubert_by_Wilhelm_August_Rieder_1875Matthew 21:9, Mark 11:9-10, Luke 19:38, John 12:13

And the multitudes that went before, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest.

And they that went before, and they that followed, cried, saying, Hosanna; Blessed is he that cometh in the name of the Lord:

10 Blessed be the kingdom of our father David, that cometh in the name of the Lord: Hosanna in the highest.

38 Saying, Blessed be the King that cometh in the name of the Lord: peace in heaven, and glory in the highest.

13 Took branches of palm trees, and went forth to meet him, and cried, Hosanna: Blessed is the King of Israel that cometh in the name of the Lord.

Hosanna Filio David from 6 Antiphonen zum Palmsonntag, D.696 (1820) by Franz Schubert (1797-1828)

Hosanna Filio David - 2014 Palm Sunday Concert

Performed by Archdiocesan Boy Choir of Philadelphia

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Schubert: Sechs Antiphonen zum Palmsonntag composed by Franz Schubert (1797-1828). Edited by Werner Bodendorff. Stuttgart Urtext Edition. German title: Sechs Antiphonen zum Palmsonntag. Full score. 4 pages. Published by Carus Verlag

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