English: Engraved illustration of the "ch...
English: Engraved illustration of the “chariot vision” of the Biblical book of Ezekiel, chapter 1, made by Matthaeus (Matthäus) Merian (1593-1650), for his “Icones Biblicae” (a.k.a. “Iconum Biblicarum”). (Photo credit: Wikipedia)

Ezekiel 1:4-6, 9, 12-19, 21, 24-26, 28

And I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it, and out of the midst thereof as the colour of amber, out of the midst of the fire.

Also out of the midst thereof came the likeness of four living creatures. And this was their appearance; they had the likeness of a man.

And every one had four faces, and every one had four wings.

Their wings were joined one to another; they turned not when they went; they went every one straight forward.

12 And they went every one straight forward: whither the spirit was to go, they went; and they turned not when they went.

13 As for the likeness of the living creatures, their appearance was like burning coals of fire, and like the appearance of lamps: it went up and down among the living creatures; and the fire was bright, and out of the fire went forth lightning.

14 And the living creatures ran and returned as the appearance of a flash of lightning.

15 Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces.

16 The appearance of the wheels and their work was like unto the colour of a beryl: and they four had one likeness: and their appearance and their work was as it were a wheel in the middle of a wheel.

17 When they went, they went upon their four sides: and they turned not when they went.

18 As for their rings, they were so high that they were dreadful; and their rings were full of eyes round about them four.

19 And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up.

21 When those went, these went; and when those stood, these stood; and when those were lifted up from the earth, the wheels were lifted up over against them: for the spirit of the living creature was in the wheels.

24 And when they went, I heard the noise of their wings, like the noise of great waters, as the voice of the Almighty, the voice of speech, as the noise of an host: when they stood, they let down their wings.

25 And there was a voice from the firmament that was over their heads, when they stood, and had let down their wings.

26 And above the firmament that was over their heads was the likeness of a throne, as the appearance of a sapphire stone: and upon the likeness of the throne was the likeness as the appearance of a man above upon it.

28 As the appearance of the bow that is in the cloud in the day of rain, so was the appearance of the brightness round about. This was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell upon my face, and I heard a voice of one that spake.


A vision of aeroplanes, first performed on June 4, 1956 and composed by Ralph Vaughan Williams (1872-1958)

Ralph Vaughan Williams - A Vision of Aeroplanes - Finzi Singers/Spicer, Bicket

Performed by the Finzi Singers, director Paul Spicer, organist Harry Bicket

 

Matthew 15:21-28 [Latin]

21 Then Jesus went thence, and departed into the coasts of Tyre and Sidon.

22 And, behold, a woman of Canaan came out of the same coasts, and cried unto him, saying, Have mercy on me, O Lord, thou son of David; my daughter is grievously vexed with a devil.

23 But he answered her not a word. And his disciples came and besought him, saying, Send her away; for she crieth after us.

24 But he answered and said, I am not sent but unto the lost sheep of the house of Israel.

25 Then came she and worshipped him, saying, Lord, help me.

26 But he answered and said, It is not meet to take the children’s bread, and to cast it to dogs.

27 And she said, Truth, Lord: yet the dogs eat of the crumbs which fall from their masters’ table.

28 Then Jesus answered and said unto her, O woman, great is thy faith: be it unto thee even as thou wilt. And her daughter was made whole from that very hour.


Egressus Jesus from Modulationem cum sex vocibus, Liber Primus, 1581. Composed by Giaches De Wert (1535-1596)

GIACHES DE WERT- Egressus Jesus

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William Byrd - c.1540-1623.
William Byrd – c.1540-1623. (Photo credit: Wikipedia)

Mark 13:35-37 [Latin]

35 Watch ye therefore: for ye know not when the master of the house cometh, at even, or at midnight, or at the cock crowing, or in the morning:

36 Lest coming suddenly he find you sleeping.

37 And what I say unto you I say unto all, Watch.


Vigilate (from Cantiones sacrae I1589) composed by William Byrd (1540-1623)

Vigilate - William Byrd

Performed by The Tallis Scholars

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English: Felix Mendelssohn Bartholdy, portrait...
English: Felix Mendelssohn Bartholdy, portrait by Edward Magnus 1846 Deutsch: Felix Mendelssohn Bartholdy, Portrait von Edward Magnus 1846 (Photo credit: Wikipedia)

Psalm 43:1-5 [German]

Judge me, O God, and plead my cause against an ungodly nation: O deliver me from the deceitful and unjust man.

For thou art the God of my strength: why dost thou cast me off? why go I mourning because of the oppression of the enemy?

O send out thy light and thy truth: let them lead me; let them bring me unto thy holy hill, and to thy tabernacles.

Then will I go unto the altar of God, unto God my exceeding joy: yea, upon the harp will I praise thee, O God my God.

Why art thou cast down, O my soul? and why art thou disquieted within me? hope in God: for I shall yet praise him, who is the health of my countenance, and my God.


Richte mich, Gott, Op. 78, No. 2, composed in 1844 by Felix Mendelssohn Bartholdy (1809-1847)

Richte mich, Gott (Mendelssohn) | Vocalitas Nova

Performed by Ensemble Vocalitas Nova

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English: Portrait of Alonso Lobo. Español: Ret...
English: Portrait of Alonso Lobo. Español: Retrato de Alonso Lobo. (Photo credit: Wikipedia)

Job 30:31, 7:16 [Latin]

31 My harp also is turned to mourning, and my organ into the voice of them that weep.

16 I loathe it; I would not live alway: let me alone; for my days are vanity.


Versa est in luctum (1602), composed by Alonso Lobo (1555-1617)

Alonso Lobo - Versa est in luctum. Merbecke Choir of Southwark Cathedral

Performed by The Southwark Cathedral Merbecke Choir

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Kupferstich von Ferdinand Ruscheweyh nach eine...
Kupferstich von Ferdinand Ruscheweyh nach einem Gemälde Eduard von Bendemanns (Photo credit: Wikipedia)

Psalm 137:1-2 [Latin]

1 By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion. We hanged our harps upon the willows in the midst thereof.


Super flumina Babylonis (1581), composed by Giovanni Pierluigi da Palestrina (c. 1525-1594)

Super flumina Babylonis (Palestrina)

Performed by The Choir of Saint Luke’s Ordinariate Parish, Washington DC

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English: Cipriano de Rore; detail of a miniatu...
English: Cipriano de Rore; detail of a miniature in the Munich State Library by Hans Müelich; probably 1560s; from Alfred Einstein, The Italian Madrigal (1949), PD-art (Photo credit: Wikipedia)

Luke 24:36 [Latin]

36 And as they thus spake, Jesus himself stood in the midst of them, and saith unto them, Peace be unto you.


Stetit Jesus, composed by Cipriano de Rore (1515-1565)

Il Coro La Rupe al Concorso di Fermo 18 ottobre 2015 Stetit Jesus Cipriano de Rore

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Thomas Tallis, c. 1505–1585
Thomas Tallis, c. 1505–1585 (Photo credit: Wikipedia)

Mark 16:1-2 [Latin]

And when the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, had bought sweet spices, that they might come and anoint him.

And very early in the morning the first day of the week, they came unto the sepulchre at the rising of the sun.


Dum transisset Sabbatum, from William Byrd’s and Thomas Tallis’ Cantiones sacrae (1575), composed by Thomas Tallis (c.1505-1585)

Dum transisset Sabbatum

Performed by Alamire, directed by David Skinner

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A print from the Phillip Medhurst Collection of Bible illustrations in the possession of Revd. Philip De Vere at St. George’s Court, Kidderminster, England.

Mark 16:1-2,5-6

And when the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, had bought sweet spices, that they might come and anoint him.

And very early in the morning the first day of the week, they came unto the sepulchre at the rising of the sun.

And entering into the sepulchre, they saw a young man sitting on the right side, clothed in a long white garment; and they were affrighted.

And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him.


Maria Magdalena et altera Maria, composed by Francisco Guerrero (1528-1599)

Francisco Guerrero - Maria Magdalena et altera Maria

Performed by Stile Antico

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"Jeremiah Lamenting the Destruction of Je...
“Jeremiah Lamenting the Destruction of Jerusalem” by Rembrandt Harmenszoon van Rijn. (Photo credit: Wikipedia)

Lamentations 1:1-2 [Latin]

How doth the city sit solitary, that was full of people! how is she become as a widow! she that was great among the nations, and princess among the provinces, how is she become tributary!

She weepeth sore in the night, and her tears are on her cheeks: among all her lovers she hath none to comfort her: all her friends have dealt treacherously with her, they are become her enemies.


Lamentations of Jeremiah I, composed by Thomas Tallis (1515-1585)

Thomas Tallis - The Lamentations of Jeremiah I

Performed by The Queen’s Six

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SAATB choir, a cappella – Level C (moderately difficult). Composed by Thomas Tallis (1505-1585). Edited by Philip Brett. Mixed Voices. Tudor Church Music. Sacred, Choral Leaflet. Vocal score. 44 pages. Duration 20′. Published by Oxford University Press (OU.9780193520974).

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