Mar 09

Saul, Saul, was verfolgst du mich? (Acts 26:14) – Heinrich Schütz

 

Heinrich Schütz, c. 1650-1660 (Leipzig), by Ch...

Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner (Photo credit: Wikipedia)

Acts 26:14b

14 And when we had all fallen to the ground, I heard a voice saying to me in the Hebrew language, ‘Saul, Saul, why are you persecuting me? It is hard for you to kick against the goads.’ (English Standard Version)

Saul, Saul, was verfolgst du mich?, SWV 415, composed by Heinrich Schütz (1585-1672)


Performed by Victoria Consort

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MP3: Symphoniarum sacrarum III, Op. 12: No. 18. Saul, Saul, was verfolgst du mich, SWV 415 / Heinrich Schütz / Monteverdi Choir / SDG

 

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Saul, Saul, was verfolgst du mich? SWV 415 by Heinrich Schutz (1585-1672). Edited by Werner Bittinger. For voice/mixed choir/orchestra (2 Solo Sopranos/Solo Alto/Solo Tenor/2 Solo Basses/2 Mixed Choirs: SATB ad lib./2 Violins/Basso continuo). Stapled. Deutsches Konzert Nr. 18 aus Symphoniae sacrae III”. Level 3. Score. SWV 415. Published by Baerenreiter Verlag (BA.BA3466).

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Feb 10

Also hat Gott die Welt geliebt [For God so loved the world] (John 3:16) – Heinrich Schütz

 

English: Nicodemus and Jesus on a rooftop

Nicodemus and Jesus on a rooftop (Image via Wikipedia)

John 3:16 [German]

16 For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

Also hat Gott die Welt geliebt, SWV 380 (one of 29 motets from Geistliche Chor-Music, 1648), by Heinrich Schütz (1585-1672)


Performed by NoonSongs, directed by Stefan Schuck

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MP3: Also hat Gott die Welt geliebt / National Lutheran Choir / Eternity

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Also hat Gott die Welt geliebt SWV 380 (Motet no. 12 from ‘geistliche Chormusik 1648′). By Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For SSATB choir/basso continuo ad lib. This edition: Urtext edition. Basso continuo-vocie see BA 500 67 (Organ) und BA 500 86 (Cello/Contrabass/Bassoon). Published by Baerenreiter Verlag (BA.BA512).

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Aug 12

Es ist erschienen die heilsame Gnade Gottes [For the grace of God] (Titus 2:11-14) – Heinrich Schütz

 

Heinrich Schütz, c. 1650-1660 (Leipzig), by Ch...

Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner (Photo credit: Wikipedia)

Titus 2:11-14 [German]

11 For the grace of God that bringeth salvation hath appeared to all men,

12 Teaching us that, denying ungodliness and worldly lusts, we should live soberly, righteously, and godly, in this present world;

13 Looking for that blessed hope, and the glorious appearing of the great God and our Saviour Jesus Christ;

14 Who gave himself for us, that he might redeem us from all iniquity, and purify unto himself a peculiar people, zealous of good works.

Es ist erschienen die heilsame Gnade Gottes (1648) from  Geistliche Chor-Music by Heinrich Schütz (1585-1672)


Performed by Kammerchor des Kurfürst Friedrich Gymnasium Heidelberg, Conductor Werner Glöggler

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MP3: Es ist erschienen die heilsame Gnade Gottes / Heinrich Schütz / SWV 371 / BIS

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Motette Nr.3 aus “Geistliche Chormusik 1648.” Edited by Wilhelm Kamlah. For SATB choir/basso continuo ad lib.. This edition: Stapled, Urtext edition. Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Cello/Contrabass/Bassoon). Sacred. Level 3. Published by Baerenreiter Verlag. 

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Apr 18

Bringt her dem Herren [Bring to the Lord] (Psalm 29:1-2) – Heinrich Schütz

 

Heinrich Schütz, c. 1650-1660 (Leipzig), by Ch...

Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner (Image via Wikipedia)

Psalm 29:1-2 [German] plus additional text

Give unto the LORD, O ye mighty, give unto the LORD glory and strength.

Give unto the LORD the glory due unto his name; worship the LORD in the beauty of holiness.

Bringt her dem Herren, SWV 283, from Kleine geistliche Konzerte I (op. 8, Leipzig, 1636) by Heinrich Schütz (1585-1672)


Performed by Sofia Gvirts (mezzo-soprano), Olga Tchumikova (organ)

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MP3: Bringt her dem Herren; Concerto Vocale

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