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Posted on Posted in Morales, Cristóbal de (c.1500-1553)

 

Cristóbal de Morales
Cristóbal de Morales

Job 7:16-21 [Latin]

16 I loathe it; I would not live alway: let me alone; for my days are vanity.

17 What is man, that thou shouldest magnify him? and that thou shouldest set thine heart upon him?

18 And that thou shouldest visit him every morning, and try him every moment?

19 How long wilt thou not depart from me, nor let me alone till I swallow down my spittle?

20 I have sinned; what shall I do unto thee, O thou preserver of men? why hast thou set me as a mark against thee, so that I am a burden to myself?

21 And why dost thou not pardon my transgression, and take away my iniquity? for now shall I sleep in the dust; and thou shalt seek me in the morning, but I shall not be.

—

Parce mihi, Domine from Officium Defunctorum (c.1548-1553) by Cristóbal de Morales (c.1500-1553)


Performance by the Monteverdi Choir under John Eliot Gardiner

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MP3: Parce mihi Domine / Monteverdi Choir / SDG

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Posted on Posted in Schütz, Heinrich (1585-1672)

 

English: Nicodemus and Jesus on a rooftop
Nicodemus and Jesus on a rooftop (Image via Wikipedia)

John 3:16 [German]

16 For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

—

Also hat Gott die Welt geliebt, SWV 380 (one of 29 motets from Geistliche Chor-Music, 1648), by Heinrich Schütz (1585-1672)

Heinrich Schütz (1585 - 1672): Also hat Gott die Welt geliebt (SWV 380)

Performed by NoonSongs, directed by Stefan Schuck

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MP3: Also hat Gott die Welt geliebt / National Lutheran Choir / Eternity

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Also hat Gott die Welt geliebt SWV 380 (Motet no. 12 from ‘geistliche Chormusik 1648’). By Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For SSATB choir/basso continuo ad lib. This edition: Urtext edition. Basso continuo-vocie see BA 500 67 (Organ) und BA 500 86 (Cello/Contrabass/Bassoon). Published by Baerenreiter Verlag (BA.BA512).

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Posted on Posted in Bach, Johann Sebastian (1685-1750)

 

Fragment of John 16:14-22 from Papyrus Oxyrhynchus 208 (Image via Wikipedia)
Fragment of John 16:14-22 from Papyrus Oxyrhynchus 208 (Image via Wikipedia)

John 16:20 [German]

20 Verily, verily, I say unto you, That ye shall weep and lament, but the world shall rejoice: and ye shall be sorrowful, but your sorrow shall be turned into joy.

—

Ihr werdet weinen und heulen (1725), first movement (chorus) from cantata BWV 103, composed by J.S. Bach (1685-1750)

J.S. Bach - Chorus "Ihr werdet weinen und heulen" from Cantata BWV 103

Performed by the J. S. Bach Foundation of St. Gallen under Rudolf Lutz

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MP3: Ihr werdet weinen und heulen, by J.S. Bach / Cantatas, BWV 103-105 / haenssler CLASSIC

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Cantata No. 103 — Ihr werdet weinen und heulen. (SATB with AT Soli). By Johann Sebastian Bach (1685-1750). Choir Sacred. SATB choir. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Worship Resources. Kalmus Edition. Baroque; Masterwork; Sacred. Book. 44 pages. Published by Alfred Music Publishing 

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Posted on Posted in Palestrina, Giovanni Pierluigi da (1525-1594)
English: Ascension of Christ
Ascension of Christ by Garofalo, 1476-1559 (Image via Wikipedia)

Acts 1:11; Psalm 47:5; Psalm 103:19 [Latin]

11 Which also said, Ye men of Galilee, why stand ye gazing up into heaven? this same Jesus, which is taken up from you into heaven, shall so come in like manner as ye have seen him go into heaven.

5 God is gone up with a shout, the Lord with the sound of a trumpet.

19 The Lord hath prepared his throne in the heavens; and his kingdom ruleth over all.

—

Viri Galilaei / Ascendit Deus (1569, Liber primus motettorum) by Giovanni Pierluigi da Palestrina (1525/6-1594)


Performed by La Chapelle Royale

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