Jun 19

My beloved spake (Song of Solomon 2:10-13,16) – Henry Purcell

Capital from the Song of Solomon in Winchester...

Capital from the Song of Solomon in Winchester Cathedral. (Photo credit: Wikipedia)

Song of Solomon 2:10-13,16

10 My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.

11 For, lo, the winter is past, the rain is over and gone;

12 The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land;

13 The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.

16 My beloved is mine, and I am his: he feedeth among the lilies.


My beloved spake, Z.28, composed by Henry Purcell (1659-1695)


Performed by The English Concert · Trevor Pinnock · Simon Preston · Choir of Christ Church Cathedral, Oxford

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Composed by Henry Purcell (1659-1695). Edited by Edward J. Dent. Music Sales America. Baroque, Choral. 24 pages. Novello & Co Ltd. #NOV290447. Published by Novello & Co Ltd. (HL.14022476).

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Choral Public Domain Library

 

May 29

Selig sind die Toten [Blessed are the dead] (Revelation 14:13) – Heinrich Schütz

Heinrich Schütz, c. 1650-1660 (Leipzig), by Ch...

Heinrich Schütz, c. 1650-1660 (Leipzig), by Christoph Spetner (Photo credit: Wikipedia)

Revelation 14:13

13 And I heard a voice from heaven saying unto me, Write, Blessed are the dead which die in the Lord from henceforth: Yea, saith the Spirit, that they may rest from their labours; and their works do follow them.


Selig sind die Toten, SWV 391 (1648), composed by Heinrich Schütz (1585-1672)


Performed by Vox Luminis

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MP3: Selig sind die Toten, SWV 391

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SSATTB choir/basso continuo ad libitum – Level 3. Motet no. 23 from “Geistliche Chormusik 1648”. Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. This edition: Urtext edition. Stapled. Sacred. Choral score. SWV 391. Published by Baerenreiter Verlag (BA.BA523).

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Choral Public Domain Library

 

May 22

Soit loué l’Eternel (Psalm 150:1-6) – Jan Pieterszoon Sweelinck

Jan Pieterszoon Sweelinck, Kupferstich von J. ...

Jan Pieterszoon Sweelinck, Kupferstich von J. Müller, 1624 (Photo credit: Wikipedia)

Psalm 150:1-6

Praise ye the Lord. Praise God in his sanctuary: praise him in the firmament of his power.

Praise him for his mighty acts: praise him according to his excellent greatness.

Praise him with the sound of the trumpet: praise him with the psaltery and harp.

Praise him with the timbrel and dance: praise him with stringed instruments and organs.

Praise him upon the loud cymbals: praise him upon the high sounding cymbals.

Let every thing that hath breath praise the Lord. Praise ye the Lord.


Soit loué l’Eternel, from Livre Troisieme des Pseaumes de David, 1614 composed by Jan Sweelinck (1562-1621)


Performed by Middelburgs Kamerkoor

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MP3: Psalm 150: Or soit loué 

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SSAATTBB choir & optional continuo. Now Praise the Lord. Composed by Jan Pieterszoon Sweelinck (1562-1621). General, Praise/Thanksgiving, Renaissance. Choral score. With Scripture: Psalms 150. 60 pages. Published by E.C. Schirmer Publishing (EC.2790).

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Choral Public Domain Library

 

May 01

The Word Was God (John 1:1-3) – Rosephanye Powell

English: beginning of John

English: beginning of John (Photo credit: Wikipedia)

John 1:1-3

In the beginning was the Word, and the Word was with God, and the Word was God.

The same was in the beginning with God.

All things were made by him; and without him was not any thing made that was made.


The Word Was God (1996), composed by Rosephanye Powell (b. 1962)


Performed by Oasis Chorale

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Choral (SATB DV A Cappella). Composed by Rosephanye Powell. Gentry Publications. Sacred. 12 pages. Fred Bock Music Company #JG2196. Published by Fred Bock Music Company (HL.8738700).