Mar 29

Hosianna dem Sohne Davids [Hosanna to the son of David] (Matthew 21:9) – Bartholomeus Gesius

Entry of Christ into Jerusalem (1320) by Pietro Lorenzetti: entering the city on a donkey symbolizes arrival in peace rather than as a war-waging king arriving on a horse

Matthew 21:9b [German]

And the multitudes that went before, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest.

Hosianna dem Sohne Davids, composed by Bartholomeus Gesius (1555/1562-1613)


Performed by King’s College Choir

SHEET MUSIC

Ash Wednesday to Easter for Choirs edited by Lionel Dakers; John Scott. For Mixed Choir. This edition: paperback. Mixed Voices. …for Choirs Collections. Sacred, Choral Collection. Level B-C (easy – moderately difficult). Choral Collection. 240 pages. Published by Oxford University Press (OU.9780193531116).

FREE SHEET MUSIC

Choral Public Domain Library

Mar 22

Hosanna Filio David [Hosanna to the son of David] (Matthew 21:9, Mark 11:9-10, Luke 19:38, John 12:13) – Franz Schubert

Franz_Schubert_by_Wilhelm_August_Rieder_1875Matthew 21:9, Mark 11:9-10, Luke 19:38, John 12:13

And the multitudes that went before, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest.

And they that went before, and they that followed, cried, saying, Hosanna; Blessed is he that cometh in the name of the Lord:

10 Blessed be the kingdom of our father David, that cometh in the name of the Lord: Hosanna in the highest.

38 Saying, Blessed be the King that cometh in the name of the Lord: peace in heaven, and glory in the highest.

13 Took branches of palm trees, and went forth to meet him, and cried, Hosanna: Blessed is the King of Israel that cometh in the name of the Lord.

Hosanna Filio David from 6 Antiphonen zum Palmsonntag, D.696 (1820) by Franz Schubert (1797-1828)


Performed by Archdiocesan Boy Choir of Philadelphia

SHEET MUSIC

Schubert: Sechs Antiphonen zum Palmsonntag composed by Franz Schubert (1797-1828). Edited by Werner Bodendorff. Stuttgart Urtext Edition. German title: Sechs Antiphonen zum Palmsonntag. Full score. 4 pages. Published by Carus Verlag

FREE SHEET MUSIC

Choral Public Domain Library

Mar 24

Hosanna to the Son of David (Matthew 21:9) – Luc Jakobs

 

Palm branch

Palm branch (Photo credit: tree-species)

Matthew 21:9

And the multitudes that went before, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest.

Hosanna to the Son of David (2009), composed by Luc Jakobs (b. 1956)


Performed by Lumen Vocale

MP3

http://www.couleurvocale.nl/hosanna.mp3

FREE SHEET MUSIC

Choral Public Domain Library

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Mar 17

Tenebrae factae sunt [There was darkness over the earth] (Matthew 27:45-46,50; Luke 23:44,46) – Marc-Antoine Charpentier

 

My God My God why hast thou forsaken me (Eli Eli lama sabactani), by James Tissot (Image via Wikipedia)

My God My God why hast thou forsaken me (Eli Eli lama sabactani), by James Tissot (Image via Wikipedia)

Matthew 27:45-46,50; Luke 23:44,46 [Latin]

45 Now from the sixth hour there was darkness over all the land unto the ninth hour.

46 And about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou forsaken me?

50 Jesus, when he had cried again with a loud voice, yielded up the ghost.

44 And it was about the sixth hour, and there was a darkness over all the earth until the ninth hour.

46 And when Jesus had cried with a loud voice, he said, Father, into thy hands I commend my spirit: and having said thus, he gave up the ghost.

English translation of Latin text from Choral Public Domain Library:

There was darkness over the earth when the Jews crucified Jesus:
and about the ninth hour Jesus cried with a loud voice:
My God, my God, why hast thou forsaken me?

  • And he bowed his head and gave up the ghost.

V. Jesus cried with a loud voice and said, Father, into thy hands I commend my spirit.

  • And he bowed his head and gave up the ghost.

Tenebrae factae sunt, H129, composed by Marc-Antoine Charpentier (1643-1704)


Performed by Orchestre de la Foundation Gulbenkian de Lisbonne.
Dir: Michel Corboz.
Philippe Huttenlocher – basse.

SHEET MUSIC

Tenebrae Factoe Sunt. (Chant (Basse) et Ensemble Divers/Partition). By Marc-Antoine Charpentier (1645-1704). For bass voice and varied ensemble. Score. Published by Alphonse Leduc (AH.AL30290).

 

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