Jul 31

Cry aloud and spare not (Isaiah 55:1; 58:1-3) – John Blow

John Blow

John Blow (Photo credit: Wikipedia)

Isaiah 55:1; 58:1-3

Ho, every one that thirsteth, come ye to the waters, and he that hath no money; come ye, buy, and eat; yea, come, buy wine and milk without money and without price.

Cry aloud, spare not, lift up thy voice like a trumpet, and shew my people their transgression, and the house of Jacob their sins.

Yet they seek me daily, and delight to know my ways, as a nation that did righteousness, and forsook not the ordinance of their God: they ask of me the ordinances of justice; they take delight in approaching to God.

Wherefore have we fasted, say they, and thou seest not? wherefore have we afflicted our soul, and thou takest no knowledge? Behold, in the day of your fast ye find pleasure, and exact all your labours.


Cry aloud and spare not,1683 verse anthem composed by John Blow (1649-1708)


Performed by The Choir of King’s College, Cambridge · Academy of St. Martin in the Fields · Sir David Willcocks

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MP3: Blow: Cry Aloud and Spare Not

 

Aug 23

Rejoice in the Lord alway (Philippians 4:4-7) – Henry Purcell

Portrait of Henry Purcell

Portrait of Henry Purcell (Photo credit: Wikipedia)

Philippians 4:4-7

Rejoice in the Lord always: and again I say, Rejoice.

Let your moderation be known unto all men. The Lord is at hand.

Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your requests be made known unto God.

And the peace of God, which passeth all understanding, shall keep your hearts and minds through Christ Jesus.

Rejoice in the Lord alway, Z 49, verse anthem composed c. 1682-85 by Henry Purcell (1659-1695)

Performed by Sidney Sussex College choir, Director David Skinner

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“Rejoice in the Lord alway” Z49

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The New Church Anthem Book. The definitive collection of 100 anthems, mostly for SATB voices, from Tudor times to the present day, including favourites from each period, and lesser-known pieces. Keyboard reductions are included for unaccompanied music, and organ accompaniments are always practical.

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